Drugs, alcohol, smoking
MildSubstance concerns need clear parent framing.

Book · 1908
A young Englishwoman must choose between the man her family approves of and the man who tells her the truth.
Substance concerns need clear parent framing.
Language stays mild with limited rude humour.
Romance or sexual themes need parent guidance.
No major product placement or consumerism concern.
Violence, peril, or fear may unsettle younger viewers.
Needs careful parent guidance.
Lucy Honeychurch, a young Englishwoman of comfortable family, is travelling in Florence with her older cousin Charlotte as chaperone. At their pension they are given rooms without a view, and two other guests, an outspoken old man named Mr Emerson and his silent son George, offer to swap. The offer is well meant and badly mannered, and Charlotte spends several pages deciding whether accepting it would compromise them.
Florence keeps interrupting the decorum. Lucy witnesses a man stabbed to death in the Piazza Signoria and faints into George's arms. On a carriage outing into the hills she is misdirected into a terrace of violets, where George kisses her without asking. Charlotte discovers them, and the two women leave for Rome the next morning with the incident sealed shut between them.
Home in Surrey, Lucy becomes engaged to Cecil Vyse, a cultivated man who admires her the way he admires a painting. Then the Emersons take a villa in the same village. Freddy invites George to bathe in a woodland pond, and the party of ladies walks in on them. The rumour that Mr Emerson once murdered his wife, spread in Florence by the chaplain Mr Eager, follows the family to England.
Lucy breaks the engagement and then denies to everyone, herself included, that George has anything to do with it. What changes her mind is not George but his father, who tells her plainly what she is doing to herself and what the rumour about his wife actually was.
Very little happens that a parent would flag on sight. One man is stabbed and dies early on, briefly and without dwelling. There is no profanity, no drunkenness and no explicit content.
Two things do need naming. Chapter twelve is a nude bathing scene: three men swim in a woodland pond and a party of women walks in on them. It is comic and entirely non-sexual, but it is nudity and the heroine sees it. And George kisses Lucy twice without asking, which the novel treats as a revelation rather than an intrusion.
The material that most needs a parent, though, is the argument the book is making rather than anything it shows. See the reflection below.
Chapter and content evidence
Chapter IIIMiss Lavish is said to have been tempted into cigarettes after an illness, and it is treated as a small secret.Chapter XVIIIA temperance song is quoted approvingly: taste not when the wine-cup glistens.Chapter IXA remark that when men get drunk there is an end of them, they sleep it off, unlike gossip.Chapter and content evidence
Chapter IIMr Emerson says of his unhappy son that as far as he can see the boy lives in Hell.Chapter XIXHe describes his own despair as the darkness creeping in, and calls it hell.Chapter and content evidence
Chapter XIIThree men bathe naked in a woodland pond; their clothes lie in three bundles on the grass, and a party of women walks in on them.Chapter VIGeorge kisses Lucy on a terrace of violets without warning and without asking.Chapter IXCecil asks permission before kissing her and the scene is written to make him absurd.Chapter XXThe married couple are affectionate in their Florence room; nothing is described beyond kisses.Chapter and content evidence
Chapter IIThe only recurring object of desire is a Baedeker guidebook, and the book mocks the tourists who need one.Chapter and content evidence
Chapter IVA man is stabbed in the Piazza Signoria and dies; Lucy faints and George catches her.Chapter IVThe blood is mentioned plainly afterwards, including on photographs she had just bought.Chapter VIIA thunderstorm during a carriage outing frightens the party, who fear a young man has been killed. He has not.This is a gentle novel with a firm thesis, and the thesis is the reason for the guidance.
Every religious character in it is a problem. The chaplain Mr Eager spreads a rumour that Mr Emerson murdered his wife, which he cannot prove and which turns out to mean that Emerson refused to have his son baptised and the boy's mother died of typhoid afterwards. The clergyman Mr Beebe is kinder but works quietly to keep Lucy from marrying at all, because he prefers her unattached, and his private compact is to help not only Lucy but religion also. Meanwhile the moral authority of the book is Mr Emerson, an agnostic who raised his son without religion to spare him the superstition and ignorance that lead men to hate one another in the name of God.
At the climax he gives Lucy his creed: that we have souls, but he cannot say how they came nor whither they go, and that the word itself has been ruined by the cant superstition wrapped around it. Lucy is freed by accepting this. The novel never argues the case; it simply arranges the world so that honesty and irreligion sit on one side and cruelty and piety on the other.
That is worth reading and worth answering. The book is right that a rumour repeated by a clergyman is a wicked thing, and right that manners can be used to bully. It is wrong that these are what religion produces, and a reader should be able to say so. The most useful conversation this novel offers a Muslim family is not about the kiss or the bathing pond. It is: does the book contain a single religious character it treats with respect, and what follows from the answer.
Mr Emerson's creed in chapter XIX is that we have souls but no one can say how they came nor whither they go, and that superstition has ruined the word. It is offered as liberation and the novel arranges everything to prove him right. The ayah answers the premise rather than the man: the question of what is worshipped was never left to each person to settle by instinct.
وَلَقَدْ بَعَثْنَا فِي كُلِّ أُمَّةٍ رَّسُولًا أَنِ اعْبُدُوا اللَّهَ وَاجْتَنِبُوا الطَّاغُوتَ
Allah sent messengers to every nation commanding people to worship Allah and avoid false objects of worship.
Quran 16:36 Quran.com
Chapter XII has three men bathing naked in a pond and a party of women coming upon them. The novel's judgement is that the embarrassment was silly and the bodies were innocent. This ayah does not call the bodies shameful either; it places the duty on the eye and on what is covered, which is the distinction the scene never makes.
قُل لِّلْمُؤْمِنِينَ يَغُضُّوا مِنْ أَبْصَارِهِمْ وَيَحْفَظُوا فُرُوجَهُمْ ۚ ذَٰلِكَ أَزْكَىٰ لَهُمْ
Allah commands believing men to lower their gaze and guard their chastity; that is purer for them.
Quran 24:30 Quran.com
The book's argument is that modesty of this kind is only repression wearing manners, and Charlotte the chaperone exists to make that case comic. Worth setting against a text that treats haya not as timidity but as part of belief itself, so a reader can tell the difference between the two things the novel merges.
وَالْحَيَاءُ شُعْبَةٌ مِنَ الإِيمَانِ
Haya is a branch of faith.
Sahih al-Bukhari 9 Sunnah.com
Lucy is misdirected onto a terrace where George is standing alone, and he kisses her before she can speak. The novel presents the accident as fate delivering her what she wanted. This hadith is about the arrangement rather than the intention, which is precisely what the scene relies on nobody having thought about.
لاَ يَخْلُوَنَّ رَجُلٌ بِامْرَأَةٍ إِلاَّ كَانَ ثَالِثَهُمَا الشَّيْطَانُ
A man is not alone with a woman except that Satan is the third of them.
Jami` at-Tirmidhi 2165 Sunnah.com
Mr Eager tells Florence that Mr Emerson murdered his wife in the sight of God. It is repeated at dinner tables in two countries and follows the family to England. Chapter XIX reveals what it actually meant: a child was not baptised and the mother died of typhoid. The image in this ayah is deliberately revolting because that is the proportion of the act.
وَلَا يَغْتَب بَّعْضُكُم بَعْضًا ۚ أَيُحِبُّ أَحَدُكُمْ أَن يَأْكُلَ لَحْمَ أَخِيهِ مَيْتًا
Allah forbids backbiting and compares it to eating the flesh of one's dead brother.
Quran 49:12 Quran.com
Mr Beebe repeats the rumour in a drawing room and the narrator notes that in his normal state he would never have done so. That is the ordinary way this spreads, not by malice but by a kind man filling a silence. The definition here is deliberately wide enough to catch him too.
ذِكْرُكَ أَخَاكَ بِمَا يَكْرَهُ
Backbiting is mentioning your brother in a way he dislikes.
Sahih Muslim 2589 Sunnah.com
Lucy's deceptions land almost entirely on her mother, who notices and says so. The novel needs the reader to accept this as the price of honesty with herself, and mostly the reader does. Set beside a text that ranks the mother's claim three times over, the cost the book waves through becomes visible again.
أُمُّكَ قَالَ ثُمَّ مَنْ قَالَ أُمُّكَ قَالَ ثُمَّ مَنْ قَالَ أُمُّكَ قَالَ ثُمَّ مَنْ قَالَ أَبُوكَ
When asked who most deserves good companionship, the Prophet named the mother three times, then the father.
Sahih al-Bukhari 5971 Sunnah.com